NEW UA MICS - Standard Microphone Series: SD-3, SD-5, SD-7 with Hemisphere Modelling
TLDRUniversal Audio introduces the new SD-3, SD-5, and SD-7 microphones to their Standard Series, enhancing their drum mic package when paired with the SC1 and SP1 condensers. These mics feature Hemisphere Modeling software, allowing users to simulate classic mic sounds in real-time with Apollo interfaces or in post-production. The video provides a live demo of these mics in an all-UA environment, showcasing their versatility and quality in various drum mixes, with the ability to tweak sounds using the Axis knob for a customized tone.
Takeaways
- ๐๏ธ Universal Audio has introduced new microphones to their Standard Series: the SD-3, SD-5, and SD-7, which are ideal for drum miking.
- ๐ These new microphones complement the existing SC1 large diaphragm condenser and SP1 pencil condenser microphones for a comprehensive package.
- ๐ The microphones come with Hemisphere Modeling software, allowing for a variety of sound options and effects.
- ๐ An update to the Hemisphere UAD2 software is expected in May, enhancing real-time monitoring and plugin capabilities for Apollo users.
- ๐ต The video features a live demo of the microphones on a full drum set, showcasing their performance and versatility.
- ๐ง The video was recorded using an all-UA environment, including the Apollo 8xp interface and Luna DAW, with Console UA for plugin access.
- ๐๏ธ The presenter demonstrates the Hemisphere software's ability to model different classic microphones, such as the U47, U67, and U87, and their distinct sound characteristics.
- ๐ The video includes post-production mixing examples, showing how the microphones' neutral recordings can be enhanced with Hemisphere effects.
- ๐ฅ Specific microphone placements are detailed, such as using a Beta 52 on the kick drum and D112 on the beater head, emphasizing the mix's depth and clarity.
- ๐ฃ๏ธ The video concludes with a final drum mix that sounds like a 'huge stadium rock band,' highlighting the microphones' ability to capture a powerful sound.
- ๐ The presenter encourages viewers to like, subscribe, and check out the provided links for more information on the microphones.
Q & A
What is the announcement from Universal Audio about their Standard Microphone Series?
-Universal Audio has announced the addition of new microphones to their Standard Microphone Series, specifically the SD-3, SD-5, and SD-7 microphones, which are designed to be an excellent drum mic package.
What additional microphones are mentioned to complement the new SD series for a complete drum mic package?
-The SC1 large diaphragm condenser and the SP1 pencil condenser microphones are mentioned as complements to the new SD series microphones for a complete drum mic package.
What software feature is included with these new microphones that allows for unique capabilities?
-The new microphones come with Hemisphere Modeling software, which allows users to simulate the sound of various classic microphones.
What is the significance of the upcoming release of the Hemisphere UAD2 software in May?
-The Hemisphere UAD2 software release in May will enable real-time monitoring through the plugin for Apollo users, providing more options for recording and mixing.
What other microphones are part of the Universal Audio family mentioned in the script?
-The script mentions the SD1 dynamic microphone, UA Sphere LX, and DLX large diaphragm condenser microphones as part of the Universal Audio family.
What is the purpose of the Apollo 8xp in the recording setup described in the script?
-The Apollo 8xp is used in the recording setup to track the audio, and it is connected with other Universal Audio software and hardware for a complete audio environment.
How does the Hemisphere Modeling software affect the recording and mixing process?
-The Hemisphere Modeling software allows for the simulation of different classic microphones, which can be used in post-production to affect the sound of the recording, providing flexibility in the mix.
What is the benefit of recording neutrally with the Standard Series microphones and affecting the sound in post-production?
-Recording neutrally allows the sound engineer to have more control over the final mix, as they can always revert back to the original sound and apply effects as desired.
What specific microphones were used in the drum mix demonstration in the script?
-In the drum mix demonstration, the Beta 52 was used on the resonator kick drum head, the D112 on the beater head, the SD-3 on the first snare, the RB 160 on the second snare, the ODX DN4 for the tom mics, AKG SD 56 for the overheads, and the AKG 414 as the room mic.
How does the Axis knob in the Hemisphere software contribute to the sound of the recording?
-The Axis knob in the Hemisphere software allows for tonal adjustments, enabling the user to fine-tune the sound and achieve different sonic characteristics.
Outlines
๐๏ธ Introduction to Universal Audio's New Microphones
Andre from Long McQuade introduces a special announcement regarding Universal Audio's new microphones: the SD3, SD7, and SD5, which complement the existing SC1 and SP1 microphones to form a comprehensive drum mic package. The package includes the Hemisphere modeling software, which is demonstrated in the video. Andre mentions an upcoming update to the Hemisphere UAD2 software in May, which will allow real-time monitoring through Apollo units and various mixing options. The video also features a full drum set miked up for demonstration and other microphones from the Universal Audio family, such as the SD1 dynamic, UA Sphere LX, and DLX large diaphragm condenser mics.
๐๏ธ Control Room Demonstration and Mixing Techniques
The video takes place in a control room equipped with Universal Audio's Apollo 8xp interface and Luna DAW, with all connections made through Console UA Connect. Andre is monitoring live with the Console and demonstrates the Hemisphere modeling software by switching between various microphone models, such as the U47, U67, U87, and others, to showcase their distinct sound characteristics. He explains that the drum recording was done neutrally with the standard series microphones and all effects were added in post-production, allowing for flexibility in the mix. Andre then presents different drum mixes, detailing the microphones used for each drum and cymbal, and demonstrates how the Axis knob in the Hemisphere software can alter the tone. The final mix is described as sounding like a big stadium rock band, with a focus on the use of AKG SD56 for overheads and AKG 414 as a room mic.
Mindmap
Keywords
๐กUniversal Audio
๐กMicrophone Series
๐กHemisphere Modeling
๐กApollo
๐กSC1 and SP1
๐กDrum Mic Package
๐กLuna DAW
๐กConsole UA Connect
๐กU47, U67, U87
๐กAxis Knob
๐กODX DN4
๐กAKG SD 56
๐กAKG 414
Highlights
Introduction of new microphones to Universal Audio's Standard Series: SD-3, SD-5, and SD-7.
The new microphones are designed to form an excellent drum mic package when paired with the SC1 and SP1 condenser microphones.
The microphone package includes Hemisphere Modeling software for versatile sound customization.
Upcoming release of Hemisphere UAD2 software in May for real-time monitoring and plugin integration with Apollo interfaces.
Demonstration of a full drum set miked up for the audio demo.
Other microphones in the family include the SD1 dynamic and UA Sphere LX and DLX large diaphragm condenser mics.
The control room setup features an all-UA environment with Apollo 8xp, Luna DAW, and Console UA Connect.
Live monitoring with Console and Hemisphere Modeling Software demonstrated.
Comparison of different mic models within the Hemisphere software, including U47, U67, U87, and others.
The ability to print Hemisphere effects directly to tape or DAW during recording or use in post-production.
Mix demonstration with specific microphones assigned to different drum components for a customized sound.
Use of Beta 52 on the resonator kick drum head for a boomy sound.
D112 on the beater head for a cutting kick drum sound.
CIS 441 on the first snare for a cracky and punchy sound.
RB 160 on the second snare for a distinct snare sound.
ODX DN4 used for the tom mics, providing a thumpy sound.
AKG SD 56 as overhead mics, favored for their sound quality.
AKG 414 as the room mic, capturing the overall drum sound.
Final drum mix creates a stadium rock band sound.
Encouragement for viewers to like, subscribe, and check out the microphone web links for more information.