Universal Audio's Unique & Affordable Hemisphere Microphones! | SD-3, SD-5, SD-7

In this introductory paragraph, Pete from Anderson.TV welcomes viewers to a special educational segment featuring Pedro from Universal Audio. They discuss the launch of three new microphones from the Standard Series with UAD Sphere modeling technology. Pete is intrigued by the microphones' capabilities, which include recording with or without the accompanying software. Pedro explains that while the microphones can be used traditionally, the Sphere software allows for extensive sound sculpting post-recording, including changing microphone models and adjusting proximity effects.

This paragraph delves into the features of the new microphones, namely the SD3, SD7, and SD5, each designed for different recording applications such as drums, guitars, and capturing low-end frequencies. Pedro emphasizes the versatility of these microphones, which can be used traditionally or with the Sphere software for enhanced sound design. The conversation highlights the ability to change microphone models post-recording, similar to reamping a guitar amp, and the potential for creative sound manipulation in the mixing process.

The hosts transition to a practical demonstration of the microphones in action. Pete plays a guitar loop through his pedalboard and amplifier, recording it with both the traditional setup and the new Universal Audio microphones. They discuss the process of mic placement and the importance of capturing a consistent sound for comparison. The paragraph concludes with the recording of the guitar loop using the SD3 and SD7 microphones, setting the stage for an A/B comparison of the sound quality.

In this segment, Pete and Pedro compare the sound of the guitar loop recorded with the traditional setup and the Universal Audio microphones without Sphere modeling. They discuss the natural warmth and character of the ribbon microphone and the focused sound of the SD7. The paragraph highlights the differences in low-end response and the potential for further sound shaping with the Sphere plugin, which has not yet been applied.

The conversation shifts to the capabilities of the Sphere plugin, which allows for the emulation of different microphone models and adjustments to proximity and axis. Pedro demonstrates how to load the plugin and select the appropriate source microphone for accurate modeling. They discuss the plugin's interface, which provides information about each microphone model, and the potential for creative sound manipulation, such as changing the microphone model after recording to fit the mix better.

Pete and Pedro explore the advanced features of the Sphere plugin, such as adjusting the proximity effect and axis to fine-tune the sound. They experiment with these controls to demonstrate how the sound can be made more or less present, and how different microphone models can be applied to the same recording for comparison. The paragraph emphasizes the flexibility and creative potential of the plugin, allowing for a wide range of sound adjustments post-recording.

In the final paragraph, the hosts reflect on the value of the Universal Audio microphones, considering their price point and the creative possibilities they offer. They discuss the comparison between the SD7 and high-end microphones like the Royer 121, noting the affordability and quality of the SD7. The paragraph concludes with a discussion about the benefits of recording with a real amplifier and the additional creative options provided by the Sphere plugin for post-recording sound design.

The video concludes with Pete and Pedro summarizing their positive experience with the new microphones and the Sphere plugin. They encourage viewers to explore the technology further and to subscribe to their tech channel for more content. The hosts express their enthusiasm for the creative control and sound quality offered by the Universal Audio microphones and look forward to future videos and experiments with the equipment.